By Amadis Ma. Guerrero
THE CHINESE communists invaded Tibet in 1950, forcing the Tibetan leader, the Dalai Lama, to flee across the Himalayas and eventually to seek asylum in India, where he set up a government in exile.
The Dalai Lama was only 15 at the time; he remains in India to this day. Those in a position to know say the spiritual leader no longer advocates independence from China, but “meaningful autonomy.” This has displeased Tibetans who are still struggling for independence.
The Chinese occupation of Tibet was not gentle. One-sixth of the population is said to have perished, wildlife dwindled, and millions of ethnic Han Chinese were encouraged to settle in the conquered territory.
Another victim of the occupation was the Tibetan religion and culture. Of the more than 5,000 Buddhist monasteries, less than 20 remain today. In recent years, for tourism and revenue purposes, the Chinese government has allowed the reconstruction of a few monasteries.
These monasteries had exquisite painted doors which reflected Tibetan-Buddhist beliefs, traditions and deities.
Some of these door-paintings, circa late 19th century, are now for sale and on display indefinitely at the Tomlinson Collection-Gallery (40 Jupiter cor. Paseo de Roxas, Makati City; tel. 8957618).
The collection includes representations of Boddhisatvas, “beings destined for Awakening,” disciples of Buddha, mythical and real animals (a tiger symbolizes strength, a deer longevity); an Indian wedding ceremony, and sages who have attained freedom from the cycle of suffering and rebirth.
One sage is shown with a conch shell which, with its low and prolonged sound, symbolizes the sound of Buddhist law.
The door-paintings are a visual delight, in addition to having spiritual significance for the Buddhist. The colors are vivid red, yellow, orange, earth brown, green and black.
They are also collectors’ items, cultural treasures, which will be on display until all are sold.
